Saturday, May 20, 2023, 8pm
All Saints Parish
1773 Beacon Street, Brookline, MA 02445

Tickets are $15 general admission, $10 for students and seniors, and free for children 12 & under.

COVID Policy: You do not need to show proof of vaccination or a negative test result to enter All Saints Parish. To ensure the safety of everyone, the members of Brookline Symphony Orchestra are fully vaccinated and we strongly recommend our audience members to wear a mask. Please stay home if you are sick or have COVID-19 symptoms; you have been directed to self-isolate or quarantine; or you are awaiting the results of a COVID-19 test. Note: These policies are subject to change as the COVID-19 pandemic and community transmission rates evolve.

Jessie Montgomery, Hymn for Everyone

Jessie Montgomery is an acclaimed composer, violinist, and educator. She is the recipient of the Leonard Bernstein Award from the ASCAP Foundation, the Sphinx Medal of Excellence, and her works are performed frequently around the world by leading musicians and ensembles. Her music interweaves classical music with elements of vernacular music, improvisation, poetry, and social consciousness, making her an acute interpreter of 21st century American sound and experience. Her profoundly felt works have been described as “turbulent, wildly colorful and exploding with life” (The Washington Post).

Her growing body of work includes solo, chamber, vocal, and orchestral works. Some recent highlights include Shift, Change, Turn (2019) commissioned by the Orpheus Chamber Orchestra and the Saint Paul Chamber Orchestra, Coincident Dances (2018) for the Chicago Sinfonietta, and Banner (2014)—written to mark the 200th anniversary of “The Star-Spangled Banner”—for The Sphinx Organization and the Joyce Foundation, which was presented in its UK premiere at the BBC Proms on 7 August 2021.

Summer 2021 brought a varied slate of premiere performances, including Five Freedom Songs, a song cycle conceived with and written for Soprano Julia Bullock, for Sun Valley and Grand Teton Music Festivals, San Francisco and Kansas City Symphonies, Boston and New Haven Symphony Orchestras, and the Virginia Arts Festival (7 August); a site-specific collaboration with Bard SummerScape Festival and Pam Tanowitz Dance, I was waiting for the echo of a better day (8 July); and Passacaglia, a flute quartet for The National Flute Association’s 49th annual convention (13 August).

Since 1999, Jessie has been affiliated with The Sphinx Organization, which supports young African American and Latinx string players and has served as composer-in-residence for the Sphinx Virtuosi, the Organization’s flagship professional touring ensemble.

A founding member of PUBLIQuartet and a former member of the Catalyst Quartet, Jessie holds degrees from the Juilliard School and New York University and is currently a PhD Candidate in Music Composition at Princeton University. She is Professor of violin and composition at The New School. In May 2021, she began her three-year appointment as the Mead Composer-in-Residence with the Chicago Symphony Orchestra. (https://www.jessiemontgomery.com/) 

Hymn for Everyone is based on a hymn that I wrote during the spring of 2021 that was a reflection on personal and collective challenges happening at the time. Up until that point, I had resisted composing “response pieces” to the pandemic and social-political upheaval, and had been experiencing an intense writer’s block.

But one day, after a long hike, this hymn just came to me — a rare occurrence. The melody traverses through different orchestral “choirs”, and is accompanied by the rest of the ensemble. It is a kind of meditation for orchestra, exploring various washes of color and timbre through each repetition of the melody. — Jessie Montgomery

George Walker, Lyric for Strings

George Theophilus Walker was an American composer, pianist, and organist, and the first African American to win the Pulitzer Prize for Music - which he received for his work Lilacs in 1996. Walker was first exposed to music at the age of five when he began to play the piano. He was admitted to the Oberlin Conservatory at 14, and later to the Curtis Institute of Music to study piano with Rudolf Serkin, chamber music with William Primrose and Gregor Piatigorsky, and composition with Rosario Scalero, teacher of Samuel Barber. He received his doctorate from the Eastman School of Music at the University of Rochester. Walker taught at Rutgers University in New Jersey for several years, retiring in 1992. He published over 90 works and received commissions from the New York Philharmonic, Boston Symphony, Cleveland Orchestra, Philadelphia Orchestra, and many other ensembles.

Lyric for Strings was originally titled Lament, and composed as the second movement of Walker's String Quartet No. 1 in 1946 while he was a graduate student at the Curtis Institute of Music. In 1990, Walker expanded the work for string orchestra, retitling it Lyric for Strings; this new arrangement subsequently became Walker's most performed composition. The work is dedicated to Walker's grandmother, a formerly enslaved person, who died shortly before its completion.

Sergei Prokofiev, Symphony No.5

Sergei Sergeyevich Prokofiev was a Russian composer, pianist, and conductor; he is regarded as one of the major composers of the 20th century. His works include such widely heard pieces as the March from The Love for Three Oranges, the suite Lieutenant Kijé, the ballet Romeo and Juliet, and Peter and the Wolf. Of the established forms and genres in which he worked, he created seven completed operas, seven symphonies, eight ballets, five piano concertos, two violin concertos, a cello concerto, a symphony-concerto for cello and orchestra, and nine completed piano sonatas.

Prokofiev’s Symphony No. 5 in B-flat major was written fourteen years after completing the first version of his Symphony No. 4 in C major. Prokofiev composed it in the Soviet Union during World War II. He gave out in a statement at the time that he intended it as "a hymn to free and happy Man, to his mighty powers, his pure and noble spirit." He added "I cannot say that I deliberately chose this theme. It was born in me and clamoured for expression. The music matured within me. It filled my soul." The symphony was premiered on January 13, 1945, in the Great Hall of Moscow Conservatory by the USSR State Symphony Orchestra, conducted by Prokofiev himself. The premiere was very well-received, and the symphony has remained one of the composer's most popular works.